Con Art

Overview of "Con Art" by Julian Spalding

Key Themes:

1. Critique of Conceptual Art: The book is a scathing critique of contemporary conceptual art, which Spalding terms "Con Art." He argues that much of what is presented as art today lacks genuine artistic merit and is instead a product of a self-serving art world.
2. Art World Manipulation: Spalding contends that the art world has become a conspiracy where curators, dealers, critics, and artists collaborate to sell non-art to the public under the guise of innovation and progress.
3. Public Perception: The book aims to empower the public to reclaim their right to judge what is good and bad in modern art, rather than being swayed by the consensus of the art establishment.

Plot Summary: "Con Art" is a collection of essays and critiques that challenge the dominant narratives in the contemporary art world. Spalding targets the cult of conceptual art, arguing that it is not genuine art but rather a form of con art. He contrasts the work of artists like Michelangelo, whom he considers a true artist, with that of Damien Hirst, whom he sees as a representative of the problematic trends in modern art.

Critical Reception: The book has received mixed reviews, with some critics appreciating its bold and thought-provoking critique of the art world, while others have criticized its harsh tone and perceived lack of nuance. Here are some key points from the critical reception:

• Positive Reception: Some reviewers have praised the book for its clarity and the ammunition it provides to those who feel disenfranchised by the current state of modern art. The book is seen as a call to action, urging readers to reclaim their right to judge art on its own merits rather than being swayed by the art establishment.
• Negative Reception: Critics have also noted that the book's tone can be overly acerbic, which may alienate some readers. However, the book's impact lies in its ability to spark debate and challenge the status quo in the art world.

Additional Context: Julian Spalding has been a prominent figure in the British art world for decades, serving as a museum director, curator, and critic. His other works, such as "Art Exposed," also reflect his critical stance on the art world, though "Con Art" is particularly notable for its direct and unflinching critique of conceptual art.