By: Andrea Blacksin
What are we? The Damned childer of caine? The grotesque lords of humanity? The pitiful wretches of eternal hell? We are vampires, and that is enough. I am a vampire, and that is far more than enough. I am that which must be feared, worshipped and adored. The world is mine -- now and forever. No one holds command over me. No man. No god. No prince. What is a claim of age for ones who are immortal? What is a claim of power for ones who defy death? Call your damnable hunt. We shall see whom I drag screaming to hell with me. New insight into vampire origins and the undead curse itself, in the Book of Nod tradition.
The book "Revelations of the Dark Mother," subtitled "Seeds from the Twilight Garden," is an epic poem written by Phil Brucato and Rachelle Udell, illustrated by Rebecca Guay. It is part of the Vampire: The Masquerade universe and provides background information on the character Lilith, often referred to as the Dark Mother.
Lilith's Story: The poem retells the story of Lilith, a feminine divine figure, from various perspectives. It explores her creation, her trials, and her ultimate declaration of a long night of suffering, particularly upon Caine and his descendants.
Opposition to Caine: The book presents Lilith as a counterpoint to Caine, the biblical first murderer who is re-imagined as cursed with vampirism and as the progenitor of all vampires. This opposition adds depth to the vampire mythology, highlighting magical-versus-mundane, darkness-versus-light, and wilderness-versus-garden themes.
Bahari Cult: The poem delves into the Bahari cult, followers of Lilith who see her as freedom and unimaginable power. They believe in cultivating their "Gardens" (covens) to grasp factions of the Dark Mother's power, often through pain and blood sacrifices.
The book is structured into three chapters:
The book has received positive reviews for its fresh and sophisticated portrayal of Lilith. Critics have praised the addition of a feminine divine figure to the vampire mythology, adding depth and opposition to the traditional Caine-centric narrative. Yvonne J. Milspaw and Wesley K. Evans described the poem as "powerful" and "elegant," highlighting the analogies between Lilith and Caine as opposites to Adam and Abel. Bassingthwaite appreciated the voice given to Lilith, describing her portrayal as that of a "strong, independent, magickal woman". The book has been noted for its graphic and poetic content, adding to the richness of the Vampire: The Masquerade universe.