By: Mahagama Sekara
Overview of "Thunmanhandiya" by Mahagama Sekara
Mahagama Sekara was a multifaceted Sri Lankan artist, known for his contributions to literature, poetry, painting, broadcasting, and filmmaking. He is often regarded as one of the leading catalysts in the Sri Lankan artistic renaissance of the late 1950s and is considered the nation's finest poet of the 20th century.
"Thunmanhandiya" (also spelled "Thun Man Handiya") is an autobiographical novel written by Mahagama Sekara. The book recounts his childhood through the character of Sirisena, who serves as a proxy for Sekara himself. The narrative is set in a small village and explores themes of identity, family, and the struggle for artistic expression.
The story revolves around Sirisena, who is inspired by his uncle Abilin, a painter struggling with alcoholism. Abilin's life is marked by debt and lack of focus, while Sirisena finds solace in art college. The contrast between Abilin's deteriorating situation and Sirisena's growth as an artist highlights the complexities of family dynamics and the pursuit of artistic dreams.
While specific critical reviews of the book are not readily available, its significance lies in its autobiographical nature and its role in reflecting the broader themes of Sri Lankan literature and culture. The novel's exploration of identity, family, and artistic expression resonates with readers and scholars alike, contributing to Sekara's legacy as a versatile and influential artist.
"Thun Man Handiya" was also adapted into a film directed by Mahagama Sekara himself. The movie, released in 1970, features Joe Abeywickrema as Abilin and Karunarathna Ranasinghe as Sirisena. The film's cinematography and music were notable for their time, adding another layer to Sekara's multifaceted contributions to Sri Lankan art.